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"Course we got real scared then—leastwise Johnston thought we was—an' Jim he ups an' tells him that we fergot to latch the gate an' let the horse out. Then Johnston got real mean—meaner than I ever see him get, an' that's sayin' quite a lot. He said he would turn back with us an' interview—that's the word he used, whatever it means—interview our fathers.,

"I guess she is the barque, sir, if the frigate's signal is right. They command a greater height aboard of her than we can, and I fancy they have twigged something fore-and-aft on the mizzen-mast.",

"I hope Miss Acton thinks well of it," said Mr Lawrence. "I was trying this moment to tempt her to take a voyage to the West Indies by a poor description of some of the wonders which are to be met in the trip.",

"And then she says, frowning as though she'd up with a knife off the tray and run it into me, 'What have you got there?' 'Your dinner, your ledyship,' says I. 'Put it down upon the floor!' says she in a sort of shriek, as if she was trying to sing. 'Don't you see I'm in tatters? They've got me here who am a princess at home, and these are my rags and all I've got,' says she, spreading her dress with her hands as though she was goin' to skip. 'Beggars[Pg 266] in rags feed on the floor: they feed so. Anywhere's good enough for them. I've seen 'em sitting on the edge of ditches eating. Put the food on the floor! That's how princesses in tatters dine.' I did as I was ordered, your honour, and came away."

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"Maurice's sick," he shouted in the deaf woman's ear.,

"I should say I do. It's a brass cap what women use to keep the needle from runnin' under their finger-nail.",

He came forward and took the object from her hand.,

If he doubted her insanity at all his suspicion had no stiffer ground than the shallow sand on which reposed his hope[Pg 327] that she was acting. Throughout this passage he did not think to consider her as the child of a great actress. To him she had always been a gentle, sweet, undemonstrative girl, ingenuous in speech, kind, charitable, beloved by the poor, one whose pursuits were amiable and pure. She was nimble and poetical with her pencil. She sang pretty songs prettily. Her beauty informed with a colour of its own the melodies her fingers evoked from the keys or strings of the instruments she touched. He could not think of her as having the talents of an actress, or even the tastes of one. He had never heard of her taking a part in a performance above a charade. Nothing, therefore, but madness or an extraordinary dramatic genius which it was impossible for him to think of her as possessing, could create those parts which she had enacted before him in a manner so immoderately life-like, so absolutely in unison with what he himself could conceive of the behaviour of madness, that deep in his soul might be found the conviction that she had lost her reason, and that his passionate, unprincipled love was the cause of it.